Junk Film (2023)
Essays/Criticism, Castle Bridge Media
Entire libraries of criticism study good art. Who studies bad art?
Junk Film’s eleven essays explore the failures of specific works created between the 1940s and the 2010s. Each demonstrates a different kind of failure, from mixing incompatible genres (Cop Rock) to stacking a screenplay with sociopaths (Staying Alive). The book uses a few basic theses about bad film and television to unpack these failures. Importantly, it shows what students of film can learn from bad movies: how to make art that works via watching art that doesn’t.
Junk Film bridges film scholarship and pop culture criticism with wit and warmth. Includes new work as well as essays published by Vague Visages, the Millions, Bright Lights Film Journal, and in book form by PS Publishing.
Release date May 2, 2023
Available from Castle Bridge Media or Amazon in paperback or ebook
Plan 9 from Outer Space (2021)
Criticism, Electric Dreamhouse Press
Ed Wood’s 1959 magnum opus, Plan 9 from Outer Space, has long been called the Citizen Kane of bad movies. Why do people keep watching it year after year, even though it’s widely known to be bad art? Is bad art worthwhile? What can we learn about making good art from this supreme example of cinematic ineptitude?
Released in November 2021
The Big Idea on John Scalzi’s Whatever
Experimental novella, 130 pp, Kernpunkt Press
Ceremonials is a twelve-part lyric novella inspired by Florence + the Machine’s 2011 album of the same name. It’s the story of two girls, Amelia and Corisande, who fall in love at a boarding school. Corisande dies suddenly on the eve of graduation, but Amelia cannot shake her ghost. A narrative about obsession, the Minotaur, and the veil between life and death, Ceremonials is a poem in prose, a keening in words, and a song etched in ink.
Release date February 11, 2020
After Gardens (2019)
Women’s fiction, 30 pp, the Wild Rose Press (ebook only)
For Maya, a weekend at a hot springs with her boisterous friend Rhondey is just what she needs to move forward after her divorce. For Rhondey, it’s an opportunity to help Maya cut loose a little, shed some of her inhibitions. Maya doesn’t see the need to shed anything, and she’s not looking for a teacher. But the more Maya clings to her privacy, the more difficult it is for her to recognize her true teachers…and the right moment to step free.
Aphorisms on Surrealism (2017)
Self-made zine containing 12 aphorisms
Sold out, unless any copies remain at the Pop-Hop in Highland Park